When I was a kid, you could send in bubblegum wrappers and get prizes. I found this envelope that held one of them in an old box yesterday. (Notice the cost for mailing a package then: six cents.)
It may have held the tiny transistor radio I took to my grade school to listen to the baseball playoffs while in class. My teacher never noticed the wire going up to my ear.
That had to be about this time of year. The team I was cheering for was the Cincinnati Reds, one of whose stars, Pete Rose, died a couple of days ago. The other stars were Joe Morgan and Johnny Bench.
The Reds lost the World Series to the Oakland A’s in seven games that year.
The other day, Sylvia brought out photo albums from our tour guiding days in the 1990s. The shots here are from one of the trips I led through Greece and Turkey when I had my own company, Halcyon Tours.
My tours were focused on small groups, learning about the local culture, and staying in local-style places where my clients could get to know the people of an area. Of course, there were plenty of opportunities for wine-drinking on rooftops in places like Oia on Santorini too!
Back then, Oia was still somewhat unvisited. Many of the buildings hadn’t been rebuilt after the massive (7.5 magnitude) earthquake that hit the island in 1956.
In high season now, as many as 17,000 cruise ship tourists disembark on the island EACH DAY, with most of them crowding into the small town of Oia at sunset time.
~ ~ ~ ~ ~
To be immersed in the kind of adventure it was possible to have in Europe before the awful crush of cruise-ship mass tourism, check out my forthcoming novel, The Last Grand Tour, available for pre-order now. (It will be published on January 28, 2025.)
Here’s a synopsis:
American tour guide Joe Newhouse wants nothing more than to reach Venice. Since moving to Munich after the fall of the Berlin Wall, he’s watched his business fail, his wife leave him, and his love for Europe diminish. Now he faces one last ten-day tour with a surly group that doesn’t want to be there. As he leads them through the mythic lands of Europe’s Romantic past, he grows increasingly disturbed by their stories of earlier lives, puzzled by their desire to be with a man who doesn’t arrive, and entangled in an illicit affair that promises to either save him or plunge his tour-and his life-into madness.
Soaked in the Romantic atmosphere and dark deeds of old Europe-as well as the freedoms and hopes of a new era-The Last Grand Tour takes us on a perilous journey through Hitler’s Berchtesgaden, Mozart’s Salzburg, and Mad King Ludwig’s Bavarian fantasyland before reaching its stunning climax in the murky waters of Venice. Along the way, it explores the often-shifting lines between fidelity and freedom, illusion and reality, regret and desire.
Note: I’m an affiliate of Bookshop.org, where your purchases support local bookstores. If you buy a book through a click on this website, I’ll earn a small commission that helps defray the costs of maintaining this website.
PLEASE SHARE THIS NEWS WITH YOUR FRIENDS AND ON SOCIAL MEDIA! THANK YOU!
Note: I’m an affiliate of Bookshop.org, where your purchases support local bookstores. If you buy a book through a click on this website, I’ll earn a small commission that helps defray the costs of maintainingthis website.
The Advance Reader Copies of THE LAST GRAND TOUR arrived over the weekend, giving me a chance to hold the fruits of my labor in my hands for the first time.
What an immense joy.
You can pre-order it on Amazon now. It should be available on other sites soon!
The inaugural Cascadia Writers-in-Conversation evening took place last night, with the delightful and eminently charming Sharma Shields as our first featured author. In a beautiful museum setting, with Z. Vanessa Helder’s magnificent watercolors of Eastern Washington on the walls, 60+ people had the great fortune to listen to a terrifically talented writer talk in depth about her life and her work.
Among the topics Sharma discussed were: how she became a writer, how fairy tales can help us find a different path to a deeper reality, the source of her ability to write funny, a writer’s relationship to the serious issues of our times, and the importance in her life of the stories of Hans Christian Anderson (the subject of her next novel).
Sharma listens and smiles with Z. Vanessa Helder’s watercolors behind her.
She also talked at length about the development and “weirdness” of her three books–Favorite Monster, The Sasquatch Hunter’s Almanac, and The Cassandra. One of the evening’s many treats was Sharma’s reading of three short stories about witches that showcased her humor and love for tales as well as the unique blend of edginess and tenderness that characterizes much of her work.
The audience waits for the conversation to begin, surrounded by Helder’s watercolors.
Writers-in-Conversation events take place at 6 p.m. on the second Thursday of each month at the Cascadia Art Museum in Edmonds, WA, and are sponsored by the Edmonds Bookshop and the Holman Company.
Kicking things off with thank yous and the story of how the Writers-in-Conversation series came to be.
Photos by Gene Openshaw and Rod Ralston.
Note: I’m an affiliate of Bookshop.org, where your purchases support local bookstores. If you buy a book through a click on this website, I’ll earn a small commission that helps defray the costs of maintainingthis website.
This fledgling eagle turned up at the top of our bank last Sunday. It gave out a pitiful cry every few seconds and we worried that it was injured. When it moved, it seemed to have a hurt foot, and it didn’t fly.
For the first three days, it stayed mostly in the same place, but a couple of times it hopped up onto the woodpile just 20 feet from where I was writing. Its cry was usually intermittent, but sometimes it became continuous. We worried it would starve to death.
It took a couple of days for a wildlife rescue person to come out. When she did, she told us adult eagles might be feeding the fledgling when we weren’t looking. In any case, she couldn’t capture it (using a sheet and gloves) as long as it was so close to the edge. So we waited, that sad cry becoming the backdrop to our lives.
Two days ago, while I was watching it through the window, it flew several feet down the bank. Then it relocated to a stump at the top of a steep cliff above the water. While it was there, I saw an adult eagle perch nearby and lean down, seeming to talk to it. Other eagles flew by the next morning.
This morning (Thursday), I can still hear its cry, but it’s far down the bank, out of sight. When I walked over to see if I could locate it, I found it in “conversation” with this adult eagle perched high in a tree above it.
It is beyond our ability to monitor it now. And I feel fairly sure it will be okay. All that’s left of where it was near our place is this bit of down and this feather. But I think I’ll remember that sad cry for a long time.
Update: After two days of not seeing (but still hearing) the fledgling eagle, we located it 40 feet up this tree. So a) it can fly, at least a bit, and b) it can perch. Adult eagles have come by regularly. It’s going to be fine.
On a foggy morning with geese drifting by, a seagull flying overhead, and otters playing just offshore, I’m pleased to announce that my novel, THE LAST GRAND TOUR, will be published on JANUARY 28, 2025.
Here’s a description of the book:
American tour guide Joe Newhouse wants nothing more than to reach Venice. Since moving to Munich after the fall of the Berlin Wall, he’s watched his business fail, his wife leave him, and his love for Europe diminish. Now he faces one last ten-day tour with a surly group that doesn’t want to be there. As he leads them through the mythic lands of Europe’s Romantic past, he finds himself disturbed by their stories of earlier lives, puzzled by their desire to be with a man who doesn’t arrive, and entangled in an illicit affair that promises to either save him or plunge his tour—and his life—into madness.
Soaked in the Romantic atmosphere and dark deeds of old Europe—as well as the freedoms and hopes of a new era—The Last Grand Tour takes us on a perilous journey through Hitler’s Berchtesgaden, Mozart’s Salzburg, and Mad King Ludwig’s Bavarian fantasyland before reaching its stunning climax in the murky waters of Venice. Along the way, it explores the often-shifting lines between fidelity and freedom, illusion and reality, regret and desire.
Looking back through slides of my early travels in Europe, I came across this one from my first time in Venice. I’ve been thinking about Venice a lot lately because it’s the final destination for the group in my upcoming novel, The Last Grand Tour.
We’re working on the cover for the novel now. I’ll post a picture of it when it’s ready for release.
The publication date hasn’t been finalized yet but it will probably be early November. I’ll announce it on this site as soon as it’s set.
I’m excited to announce that starting this August, I’ll be partnering with the Cascadia Art Museum in Edmonds, Washington (just north of Seattle), to host a new monthly series called Writers in Conversation.
On the second Thursday of each month, we’ll bring one Northwest writer in front of an enthusiastic audience for a brief reading, a lengthy discussion of his or her work, and a question-and-answer session with engaged literature lovers.
The main idea of the new series is to showcase the wealth of writing talent in the Pacific Northwest. To that end, we’ll feature writers from different genres at different stages of their careers who may have been overlooked rather than those readers already know.
Writers who appear in the series will also be featured, along with their work, on an updated and expanded version of the website WritingtheNorthwest.com.
This will be a unique chance to hear talented writers speak in-depth about what it means to be an author in the Northwest and why and how they create their works of fiction, nonfiction, and poetry. The conversations will all take place in one of Cascadia’s beautiful galleries, with Northwest art lining the walls.
Cascadia Art Museum is the only museum dedicated to artists and their works from the Pacific Northwest. Focused on visual art and design from 1860 to 1970, it is committed to the belief that recognizing previously neglected artists who made significant contributions to the region’s cultural identity gives us a fuller and more comprehensive understanding of Northwest art history. The Writers in Conversation series signals the museum’s desire to highlight underappreciated NW artists in literature as well.
The first conversation starts at 6 p.m. on Thursday, August 8. Check back later this summer for more details and to learn who our first featured writer will be.
Here’s a peek at the space we’ll fill with good conversation and an enthusiastic audience just a few months from now:
Cookie Consent
We use cookies to improve your experience on our site. By using our site, you consent to cookies.
Used to monitor number of Google Analytics server requests
10 minutes
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
_gac_
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
