Here’s to You, Mr. Robinson

I keep thinking about Frank Robinson, the Hall of Fame baseball player who died at 83 three days ago. He was the first African American to manage a MLB team and the only man to be named MVP in both leagues. I’ll list some of his other achievements below, but first a personal story:

The 1970 Baltimore Orioles (with the two Robinsons, Frank and Brooks) were one of my favorite teams of all time. That October, when they beat Frank’s old team, the Cincinnati Reds, in the World Series in five games, I had just “purchased” a tiny, tiny transistor radio, probably with Bazooka Joe bubblegum wrappers. In those days, Series games were played during the daytime during the week. I took that radio to my grade school and listened to the Series in class, with the left side of my head turned away from the teacher so he couldn’t see the thin line of the wire attached to the earbud in my left ear. I never got caught.

That 1970 Orioles team had seven All-Stars on it, and except for Frank, who was paid $125K, none of them made more than $65K. The Series that year, by the way, featured the first African American ever to umpire a Series: Emmett Ashford.

Okay, here are some more of Frank Robinson’s achievements:

1956 Rookie of the Year
1958 Gold Glove
1961 National League MVP (Cincinnati)
1966 Triple Crown (tops in HRs, RBIs & batting average)
1966 World Series MVP (Baltimore won it that year too)
1966 American League MVP (Baltimore)
12-time All-Star
1975 1st black MLB manager (Cleveland Indians)
1989 American League Manager of the Year (Baltimore)
2005 Presidential Medal of Freedom

Career stats:

1,829 runs
2,943 hits
528 doubles
586 HRs
1,812 RBI
204 stolen bases
.294 batting average

RIP, Mr. Robinson. Thank you for giving so much pleasure and inspiration to a little white boy with a tiny radio.

On TV: A Shot of John Belushi and Me in Our Only Movie Together

I went to the Stanford-Oregon game on Saturday night, which was broadcast nationally, and jokingly told a friend to look for me on TV, not knowing a picture of me had already appeared on that morning’s ESPN College GameDay. They showed a short video about “Animal House” that included this still. That’s me (in the center) and my college buddy Brad McCuaig behind John Belushi.

The movie was shot on the University of Oregon campus in the fall of 1977 when I was just beginning my sophomore year there.  All you had to do to be in it was get a haircut, they said, so I lined up with the others and had my head shorn.  Then I worked as an extra for a week, meeting Belushi and the movie’s other future stars and playing fussball with Karen Allen once.  After a week, though, the standing around was too boring and I didn’t want to miss any more classes, so my time as a film actor ended.

No one had any idea, of course–not even the director, John Landis–that the movie would go on to be one of the most iconic comedies of all time.  I remember a quote from Landis saying that the movie might do only modestly well but it would make stars of its young actors.  He was wrong on the first point but prescient on the second.  The young and mostly unknown actors in the movie who went on to big careers included Belushi, Allen, Kevin Bacon, Tom Hulce, and Peter Riegert.  In the game Six Degrees of Kevin Bacon, my Bacon Number is 1.

More About my Writing Residency in China This Fall

I announced a couple of months ago that I’ve been asked to be a resident writer at Sun Yat-sen University in Guangzhou, China, this fall.

I have a few more details about it:

The residency is sponsored by the English Creative Writing Center at Sun Yat-Sen University, the only program in China focused on creative writing in English.  The programs founder and director is a writer herself, Dai Fan.

The residency begins on October 22 and lasts through Nov. 18.   For the first two weeks, we’ll be in Yangshou in the Guangxi Autonomous Region with no duties other than writing.  (The featured image here, of Yangshou, is from the China and Asia Cultural Travel website.)  Next, we’ll spend a week at Sun Yat-sen’s main campus in Guangzhou, giving talks and readings and meeting with faculty and students.  Then, the last week, we’ll be back to writing, this time in Meizhou in Guangdong Province.

I’ll be there with seven writers from six other countries–for information on them and their work, click on their names below:

Charlson Ong, the Philippines

Elisa Biagini, Italy

James Scudamore, Great Britain

Monica Aasprong, Norway

Sally Ito, Canada

Vladimir Poleganov, Bulgaria

Zdravka Evtimova, Bulgaria

I’ll post some of their work in the days ahead.

I haven’t been blogging on this site lately but I will during my time in China.  For now, if you’re interested in learning more about the program and what I’ll be experiencing, check out this edition of Ninth Letter with links to creative works by participants in the program two years ago.

A Writing Residency in China This Fall

In March, after my talk on the ethics of biography at the Associated Writers and Writing Programs conference in Tampa, Florida, a Chinese writer named Dai Fan, who directs the creative writing program at Sun-Yat Sen University in Guangzhou, China, came up to me and invited to be part of a writing residency there this fall.  It’s taken a while for the paperwork to be done but I can announce now that I will be joining writers from seven other countries for four weeks of writing, lectures and readings this October and November.

We’ll have two weeks free for writing in the beautiful autonomous region of Guilin (pictured here), a week of talks and readings in Guangzhou, and a final week of writing in the cultural capital of Meizhou.

I’ll give more details, including the names of the other writers and the countries they’re from, in a future post.

The creative writing program at Sun Yat-sen University is the only one of its kind in English in China.  Students from the program will be our interpreters while we’re there.  I anticipate many interesting conversations with them, as well as the other writers and the program faculty.

Kilian McDonnell Fellowship Supports Work On A New Writing Book

In addition to my two weeks as a writing coach at the Collegeville Institute this summer, I’ll be there for another six weeks in the fall as a short-term resident scholar, recipient of a Kilian McDonnell Fellowship.  The fellowship will support my work on a book about writing for a broader audience, intended primarily for those who write from a spiritual perspective but with plenty for anyone who wants to write well for the general public.

The genesis for this book is my summer writing coach work, particularly my presentations to those attending my Writing Beyond the Academy week the past two years.  Of course, my 22 years of teaching creative writing to both graduate and undergraduate writing students have given me plenty of material too.

If you’re interested in attending either of my summer weeks this year, go to the Collegeville Institute Summer Writing Workshops home page.  There’s still time to apply for these all-expenses-paid weeks but the deadlines are in February!

A Professor No More

On Monday of this week, I cleaned out my office in Portland State University’s Neuberger Hall.  On Tuesday, I filed my last set of grades.  On December 31, 2017, my retirement will be official.  After 22 years of university teaching and 17 years at PSU (during which I was fortunate to receive five student-selected teaching awards, one in almost every year I was eligible), I’ll soon be a writer only.  That should mean more time to post on this somewhat-neglected site.

I will continue to lead summer workshops at the Collegeville Institute and the Manhattanville College MFA’s Summer Writers’ Week–for information on either of these, including how to apply, go to my Talks page.

A big thank you to all of the students I’ve had the pleasure of teaching as a college professor.  I figure that over my 22 years at universities, I’ve critiqued more than 4,000 papers.  I’m happy to say that a fair number made it into print here or there.  I hope my comments on the others were at least somewhat edifying.

Look for more thoughts on teaching on this site in the weeks ahead, including some of the things I’ve taught and learned.

On to new pastures…

 

An Author at Last, I Guess

I just received news that my bio is in the 2017 edition of Contemporary Authors (volume 400).  That makes me one of approximately 120,000 American authors they’ve featured.  Not quite an exclusive club but I’m glad to be part of it.  Here’s the link if you have an extra $380 and nothing to spend it on.

I haven’t posted anything for a while but hope to get back into it now that summer is over.  Stay tuned.

 

The Hermit and the Mystic: Wisdom from the Woods

A friend sent me a link to a GQ article about a man who lived alone in the Maine woods for 27 years.  The only thing he said to anyone in all those years was the single word “Hi” to a hiker he passed one day.  Although the article is titled “The Strange & Curious Tale of the Last True Hermit” and the author, Michael Finkel, refers to the man, Christopher Knight, repeatedly as a hermit, when asked if he was one, Knight said:

“When I came out of the woods they applied the label hermit to me. Strange idea to me. I had never thought of myself as a hermit. Then I got worried. For I knew with the label hermit comes the idea of crazy.”

Knight had been nicknamed the North Pond Hermit by people who owned the summer cabins from which he stole food and propane and other needs without being seen.  According to my dictionary’s definition—“a person who lives alone in a lonely or secluded spot, often from religious motives; recluse”—Knight certainly was a hermit.  He lived alone in a tent surrounded by boulders and a thicket of brush and trees it was hard to see through.  But he denied having religious motives, or any religious feelings at all.  And he made it clear to Finkel that he never felt lonely.

I’ve been thinking about the label “hermit” over the past few years because some have called the man I wrote my book about, Robert Lax, a hermit.  I’ve never been comfortable with this label for Lax because he didn’t retreat to a “lonely or secluded spot” or separate himself from people, except to contemplate and write.  I’ve come to realize, though, that when people use the word “hermit” they often mean “mystic”: a hermit, to their mind, being someone who retreats from the world to meditate or pray and reach a higher consciousness.

I’m more comfortable calling Lax a mystic because there’s no question he attained “intuitive knowledge of spiritual truths through meditation” (the dictionary again).  And, despite Knight’s rejection of religion, despite the thievery that kept him alive, I think he became a bit of a mystic, too.

The only time he prayed, Knight said, was when the temperature went below negative twenty degrees. (“That’s when you do have religion,” he said.  “You do pray. You pray for warmth.”) But he meditated from time to time, especially when he feared death, and his quotes in the GQ article suggest he came to understandings of life that usually come only to mystics.  Here are a couple of the more intriguing ones:

“‘What I miss most [Knight said] is somewhere between quiet and solitude. What I miss most is stillness.’ He said he’d watched for years as a shelf mushroom grew on the trunk of a Douglas fir in his camp.”  (An ability to be completely still and completely in the moment, attuned to the natural world.)

“Solitude did increase my perception [Knight said]. But here’s the tricky thing—when I applied my increased perception to myself, I lost my identity. With no audience, no one to perform for, I was just there. There was no need to define myself; I became irrelevant. The moon was the minute hand, the seasons the hour hand. I didn’t even have a name. I never felt lonely. To put it romantically: I was completely free.”  (The disappearance of the ego and a resulting freedom from the self.)

While waiting in jail for the court’s decision on his theft charges, Knight said:

“I am retreating into silence as a defensive move…I am surprised by the amount of respect this garners me. That silence intimidates puzzles me. Silence is to me normal, comfortable.”

And:

“Sitting here in jail, I don’t like what I see in the society I’m about to enter. I don’t think I’m going to fit in. It’s too loud. Too colorful. The lack of aesthetics. The crudeness. The inanities. The trivia.”

The article ends with Knight being released from jail to live with his mother but wishing he could simply return to the woods. I’m reminded of the custom among some Native American tribes to have their young retreat to secluded places on their own to find themselves in some way.  What if we had this kind of custom in America, or at least allowed people like Knight to live in nature undisturbed?  What insights might we obtain that we as a society desperately need–especially in this time of superficiality, noise, violence and greed?

Note: One of my new projects is a book about a year my wife and I spent in a small cabin in the woods in the San Juan Islands: what that time and way of living showed me.