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Worrying about a Fledgling Eagle 20 Feet from my Desk

This fledgling eagle turned up at the top of our bank last Sunday. It gave out a pitiful cry every few seconds and we worried that it was injured. When it moved, it seemed to have a hurt foot, and it didn’t fly.

For the first three days, it stayed mostly in the same place, but a couple of times it hopped up onto the woodpile just 20 feet from where I was writing. Its cry was usually intermittent, but sometimes it became continuous. We worried it would starve to death.

It took a couple of days for a wildlife rescue person to come out. When she did, she told us adult eagles might be feeding the fledgling when we weren’t looking. In any case, she couldn’t capture it (using a sheet and gloves) as long as it was so close to the edge. So we waited, that sad cry becoming the backdrop to our lives.

Two days ago, while I was watching it through the window, it flew several feet down the bank. Then it relocated to a stump at the top of a steep cliff above the water. While it was there, I saw an adult eagle perch nearby and lean down, seeming to talk to it. Other eagles flew by the next morning.

This morning (Thursday), I can still hear its cry, but it’s far down the bank, out of sight. When I walked over to see if I could locate it, I found it in “conversation” with this adult eagle perched high in a tree above it.

It is beyond our ability to monitor it now. And I feel fairly sure it will be okay. All that’s left of where it was near our place is this bit of down and this feather. But I think I’ll remember that sad cry for a long time.

Update: After two days of not seeing (but still hearing) the fledgling eagle, we located it 40 feet up this tree. So a) it can fly, at least a bit, and b) it can perch. Adult eagles have come by regularly. It’s going to be fine.

COMING ON JANUARY 28–My First Novel: The Last Grand Tour

On a foggy morning with geese drifting by, a seagull flying overhead, and otters playing just offshore, I’m pleased to announce that my novel, THE LAST GRAND TOUR, will be published on JANUARY 28, 2025.

Here’s a description of the book:

American tour guide Joe Newhouse wants nothing more than to reach Venice. Since moving to Munich after the fall of the Berlin Wall, he’s watched his business fail, his wife leave him, and his love for Europe diminish. Now he faces one last ten-day tour with a surly group that doesn’t want to be there. As he leads them through the mythic lands of Europe’s Romantic past, he finds himself disturbed by their stories of earlier lives, puzzled by their desire to be with a man who doesn’t arrive, and entangled in an illicit affair that promises to either save him or plunge his tour—and his life—into madness.

Soaked in the Romantic atmosphere and dark deeds of old Europe—as well as the freedoms and hopes of a new era—The Last Grand Tour takes us on a perilous journey through Hitler’s Berchtesgaden, Mozart’s Salzburg, and Mad King Ludwig’s Bavarian fantasyland before reaching its stunning climax in the murky waters of Venice. Along the way, it explores the often-shifting lines between fidelity and freedom, illusion and reality, regret and desire.

I’ll be posting a picture of the cover soon!

A Moody Old Vision of Venice

Looking back through slides of my early travels in Europe, I came across this one from my first time in Venice. I’ve been thinking about Venice a lot lately because it’s the final destination for the group in my upcoming novel, The Last Grand Tour.

We’re working on the cover for the novel now. I’ll post a picture of it when it’s ready for release.

The publication date hasn’t been finalized yet but it will probably be early November. I’ll announce it on this site as soon as it’s set.

Coming This August: The Cascadia Writers-In-Conversation Series

I’m excited to announce that starting this August, I’ll be partnering with the Cascadia Art Museum in Edmonds, Washington (just north of Seattle), to host a new monthly series called Writers in Conversation.

On the second Thursday of each month, we’ll bring one Northwest writer in front of an enthusiastic audience for a brief reading, a lengthy discussion of his or her work, and a question-and-answer session with engaged literature lovers.

The main idea of the new series is to showcase the wealth of writing talent in the Pacific Northwest. To that end, we’ll feature writers from different genres at different stages of their careers who may have been overlooked rather than those readers already know.

Writers who appear in the series will also be featured, along with their work, on an updated and expanded version of the website WritingtheNorthwest.com.

This will be a unique chance to hear talented writers speak in-depth about what it means to be an author in the Northwest and why and how they create their works of fiction, nonfiction, and poetry. The conversations will all take place in one of Cascadia’s beautiful galleries, with Northwest art lining the walls.

Cascadia Art Museum is the only museum dedicated to artists and their works from the Pacific Northwest. Focused on visual art and design from 1860 to 1970, it is committed to the belief that recognizing previously neglected artists who made significant contributions to the region’s cultural identity gives us a fuller and more comprehensive understanding of Northwest art history. The Writers in Conversation series signals the museum’s desire to highlight underappreciated NW artists in literature as well.

The first conversation starts at 6 p.m. on Thursday, August 8. Check back later this summer for more details and to learn who our first featured writer will be.

Here’s a peek at the space we’ll fill with good conversation and an enthusiastic audience just a few months from now:

Spring 2024 Issue of the Robert Lax Newsletter Just Released!

Robert Lax looking out over Patmos. Image © Michael N. McGregor

I just sent out the Spring 2024 issue of The Robert Lax Newsletter, a free quarterly publication with news about Lax-related events, articles, quotes, and images.

This issue of the newsletter includes an short article about how Lax spent his winters, news about my forthcoming book on solitude, a YouTube video featuring author Steve Georgiou talking about his friendship with Lax, numerous images of Lax poems and publications, a hilarious Reddit string about a Lax poem, and many other delights.

Thousands of readers have already viewed the Spring 2024 issue of a newsletter that has been published since 2015. To be one of them, sign up here.

My Review of Portland Author and Friend Mark Pomeroy’s New Novel

Work on the books I’ll be publishing in the coming months forced me to put my Writing the Northwest site on pause last year. But I just relaunched it with a review of my friend Mark Pomeroy’s excellent second novel, The Tigers of Lents.

As I write in my review, Mark’s novel is a “full and compelling picture of a struggling family in crisis”and “a deeply satisfying read.”

You can read the whole review here. And you can purchase the book here.

If you live in the Seattle area, you can see Mark in conversation with me about his novel at Third Place Books-Ravenna at 7 p.m. on THURSDAY, MAY 9.

Staying in Robert Lax’s Old House

The front door of Robert Lax’s house on Patmos, 2024. (Photo by Michael N. McGregor)

In late January and early February, I spent two weeks living in Robert Lax’s old house on Patmos while doing research for my forthcoming book An Island to Myself: The Place of Solitude in an Active Life (Monkfish Publishing, spring 2025).

I’ll be posting more about the book and my experiences in writing it in coming days, but for a taste of it now, you can go to robertlax.com and read about my thoughts while looking over the only reminders of Lax still in his house: his books.

“Art Makes the Real World.”

Still life by Paul Cézanne

The title of this post is a quote from an autistic artist named William Scott, who was featured in a PBS Newshour segment on an exhibition of art by disabled artists at SF MOMA.

I think he is exactly right.

The world we see in the news–of conflict, violence, hatred, accusations, recriminations, and revenge–is not genuine. Artists offer us visions of a world that is more real because it reflects the desires, values, and aspirations of our better selves.

You can learn more about William Scott and the Creative Growth group he’s part of here: https://creativegrowth.org/william-scott

https://creativegrowth.org/william-scott

Manuscript Delivered! AN ISLAND TO MYSELF To Appear in Spring 2025

Sitting in one of the monk caves near Grikou on the island of Patmos.

I just delivered the manuscript for my book An Island to Myself: The Place of Solitude in an Active Life to Monkfish Publishing.

Look for it in the spring of 2025.